Typology of the musical document : an approach to its study E. Burgos Bordonau, C. Petrescu.
Material type:
ArticleDescription: p. 32-38Subject(s): Online resources: Summary: The article here in aims at approaching the reader to the concept
of the typology of the musical document first and foremost from the point of
view of the librarian or documentalist. A description of the different types of
music documents is given, starting with the classification of the annotated
ones and followed by the recorded or programmed ones. The definitions
given in the manual Reglas de Catalogación have been considered to present
and explain the typology of the annotated documents. From a broader,
interdisciplinary perspective, of the musician as performer and pedagogue, a
series of ideas are submitted, formulated on the basis of the participative
observation and correlation with elements from other scientific spheres.
| Item type | Current library | Collection | Call number | Status | Date due | Barcode | |
|---|---|---|---|---|---|---|---|
| Analítica de revista | Biblioteca Artes Colección Digital | Bibliografía Básica | RECURSO ELECTRONICO (Browse shelf(Opens below)) | Available |
En: Bulletin of the Transilvania, vol. 4, no. 53, 2011. pp. 32-38.
The article here in aims at approaching the reader to the concept
of the typology of the musical document first and foremost from the point of
view of the librarian or documentalist. A description of the different types of
music documents is given, starting with the classification of the annotated
ones and followed by the recorded or programmed ones. The definitions
given in the manual Reglas de Catalogación have been considered to present
and explain the typology of the annotated documents. From a broader,
interdisciplinary perspective, of the musician as performer and pedagogue, a
series of ideas are submitted, formulated on the basis of the participative
observation and correlation with elements from other scientific spheres.
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