000			01832cab a2200241 a 4500
999			_c24542 _d24542
001			024542
003			UAHC_CL
005			20170810110209.0
008			010731b xx j 000 1 eng
040			_aUAHC_CL _cUAHC_CL _dUAHC_CL
100	1		_aBerman, Judith C.
245	1	0	_aBad hair days in the paleolithic : _bmodern (Re) constructions of the cave man.
260			_aArlington _bAmerican Antropological Association _c1999
500			_aEn: American Anthropologist. -- Vol. 101 No. 2 (junio 1999), pp. 288-304. ISSN 00027294
520			_aAlthough we have never seen Paleolithic humans in the flesh, we recognize them immediately in illustrations, art, cartoons, and museum displays. The familiar iconography of the "Cave Man" often depicts our early human ancestors with longish, unkempt hair. However, this conventionalized image is not congruent with available archaeological data on the appearance of Upper Paleolithic humans. The lengthy iconographic history of representations of our prehistoric humans is rather a palimpsest of beliefs about the origins of humans, "natural man," human nature, primitive humans, and the savage "Other": a history of discourses about human evolution, human language, and the place of humans in the natural world. These images are traced in their anthropological, evolutionary, and philosophical contexts from medieval art through recent scientific illustrations, art, cartoons, and murals, and their influence on the scientific interpretation of our ancestors is assessed.
650		4	_aHOMBRE PREHISTORICO
650		4	_aHOMBRE PRIMITIVO
650		4	_aEVOLUCION HUMANA _xEDAD DE PIEDRA
773	0		_tAmerican anthropologist _w024522
900			_aAM. ANTHROPOL.-02/99
942			_cREVA _2ddc