000			02853cab a2200229 a 4500
999			_c24545 _d24545
001			024545
003			UAHC_CL
005			20170810105935.0
008			010731b xx j 000 1 eng
040			_aUAHC_CL _cUAHC_CL _dUAHC_CL
100	1		_aFienup-Riordan, Ann
245	1	0	_aCollaboration on display : _ba Yup´ik Eskimo exhibit at three national museums.
260			_aArlington _bAmerican Antropological Association _c1999
500			_aEn: American Anthropologist. -- Vol. 101 No. 2 (junio 1999), pp. 374-378. ISSN 00027294
520			_aIn the following pages I describe what happens when an exhibit dense in local meanings enters the national arena. The Yup'ik mask exhibit Agayuliyararput (Our Way of Making Prayer) began as "visual repatriation"Ñbringing objects out of museums back into a local contextÑand ended as a tribal exhibit displayed in three very different majority institutions, including an American Indian museum, a natural history museum, and an art museum. The mask exhibit was developed as a three-way collaboration between Yup'ik community members, an anthropologist, and museum professionals. As it traveled farther from home, not only the objects but the process that produced the exhibit were differently presented. While majority institutions chase the language of collaboration, their institutional structures constrain how such collaborations are played out. For the "insider's perspective" of a locally grounded exhibit to survive, majority institutions must not only display the results of collaboration, but participate in the process.
650		4	_aMUSEOS DE ARTE
773	0		_tAmerican anthropologist _w024522
900			_aAM. ANTHROPOL.-02/99
942			_cREVA _2ddc